(Design)
For the National Theatre: Chips With Everything, Troilus and Cressida, Money, Battle Royal, Howard Katz, Buried Child and The Reporter; for the Royal Court: Simpatico, Hard Fruit, Real Classy Affair; for the Almeida: Tartuffe, The Government Inspector, Vassa, Conversations After a Burial, Lulu (and Kennedy Center, Washington), Faith Healer, The Lady From the Sea and Hedda Gabler (and Duke of York’s); for the Donmar Warehouse: Habeas Corpus, The Fix, How I Learned to Drive, True West, The Glass Menagerie (and Comedy) and Proof; for the RSC: The Shakespeare Review, The Painter of Dishonour, Little Eyolf, Richard III and The Family Reunion. Also, Peter Pan (West Yorkshire Playhouse); Julius Caesar (Manchester Royal Exchange); Little Malcolm and His Struggle Against the Eunuchs (Hampstead and West End); Tom and Clem (Aldwych); Eddie Izzard –1998 and 2000 tours (Pola Jones); Betrayal (Theatre d’Atelier, Paris, and Broadway); The Caretaker (Comedy); The Graduate (Gielgud, Australia and Broadway); Sunset Boulevard (Really Useful Group, UK tour); True West (Circle in the Square, New York); Our House (Cambridge); Simply Heavenly (Young Vic); Tell Me on a Sunday (Gielgud and UK tour); Endgame (Albery); Lord of the Rings (Toronto) and Bash (Trafalgar Studios). Opera credits: The Turn of the Screw (Welsh National Opera); Sophie’s Choice (Royal Opera House).
Rob received the 2000 Olivier Award for Best Set Designer for Troilus and Cressida, Vassa and Richard III. He was nominated for Best Costume Design in the same year (for Troilus and Cressida and Money) and for Best Set Designer in 1996 (for The Glass Menagerie), 1997 (for Chips With Everything) and 2001 (for The Caretaker). Our House won the 2003 Olivier Award for Best Musical. In 2006, he received an Olivier Award for Best Set Design for Hedda Gabler as well as a Best Costume Design nomination.
